Trevor Filter works in branding, media and modern culture as an analyst at Siegel+Gale (disclaimer). He lives in New York City. This is his personal tumblelog, which is mostly a conduit for exploring the proper way to use sarcasm on the internet.

Follow @trev

The internet in our era, as conceived in 1969

Source: kottke.org

“The Wilderness Downtown,” by Arcade Fire

Arcade Fire have teamed up with Chris Milk and some Google engineers to produce one of the best seamless emotional experiences I’ve seen on the internet lately: an interactive music video for the single “We Used To Wait”—just type in the address of the house you grew up in, and prepare to get wrapped up in the warm, fuzzy feeling of sepia toned teenage angst.

Despite all the extra browser chrome and pop-up windows, this really brings out my favorite part of the internet: creative, personal, and interactive pieces of art that leverage modern tech for new meaning. In that sense, Wilderness Downtown is most similar to Office Max’s holiday elf videos and the related Jib Jab flash presentations, except far, far more polished (and entirely HTML5).

In this case, most of the content for the video is already out there (Google Maps satellite photos), but it’s been repackaged in a fresh and totally unexpected way. Very well done.

3D Light Test: Sparklers

Click through to YouTube for the 3D options (via Emily).

If you can get your eyes to work right, this feels like THE FUTURE.

Reblogged from ezhao

I am not even sure what Chatroulette is now. Everyone finds his own way of using the site. Some think it is a game, others think it is a whole unknown world, others think it is a dating service.

— Andrey Ternovskiy, the 17-year-old creator of Chatroulette, on how quickly his “fun” project for friends has turned into a multi-server operation out of Germany with network throughput of seven gigabits/second. His interview with the NYTimes has more.